Sunday, 29 April 2018

NAPOWRIMO 2018


Write a poem based on a poem by Sylvia Plath.









Day 29








 

 

 

TULIPS By SILVIA PLATH 

 

ERASURE POEM

 

 Tulips 

 

it is winter here
look how white everything is
i am learning peacefulness 
lying by myself quietly
i am nobody
i have nothing
the nurses gulls in white caps
bring me numbness in bright needles
bring me sleep





i have lost myself 
i am sick
i have let things slip
they have swabbed me clear
of my loving associations
my teaset my linen my books
out of sight
i am  a nun now

i didn't want flowers
the tulips are too red
they hurt me
upsetting me with their colour
a dozen red lead sinkers around my neck





i see myself flat ridiculous
a shadow between the eye of the sun
and the eyes of the tulips
i wanted to efface myself 
without any fuss

the tulips are opening
and i am aware of my heart
of red blooms
of sheer love















of  the water
warm and salt like the sea
from a country far away





TULIPS By SILVIA PLATH
 

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in.
I am learning peacefulness, lying by myself quietly 
 I didn’t want any flowers, I only wanted
 To lie with my hands turned up and be utterly empty.
As the light lies on these white walls, this bed, these hands.   
I am nobody; I have nothing to do with explosions.   
I have given my name and my day-clothes up to the nurses   
And my history to the anesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff   
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,   
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.   
Now I have lost myself I am sick of baggage——
My patent leather overnight case like a black pillbox,   
My husband and child smiling out of the family photo;   
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat   
stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.   
Scared and bare on the green plastic-pillowed trolley   
I watched my teaset, my bureaus of linen, my books   
Sink out of sight, and the water went over my head.   
I am a nun now, I have never been so pure.

I didn’t want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free——
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them   
Shutting their mouths on it, like a Communion tablet.   

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe   
Lightly, through their white swaddlings, like an awful baby.   
Their redness talks to my wound, it corresponds.
They are subtle : they seem to float, though they weigh me down,   
Upsetting me with their sudden tongues and their color,   
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.   
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,   
And I see myself, flat, ridiculous, a cut-paper shadow   
Between the eye of the sun and the eyes of the tulips,   
And I have no face, I have wanted to efface myself.   


Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.   
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river   
Snags and eddies round a sunken rust-red engine.   
They concentrate my attention, that was happy   
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;   
They are opening like the mouth of some great African cat,   
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.


Source: Collected Poems (HarperCollins Publishers Inc, 1992

























14 comments:

  1. I love your reduction of the Plath poem! It has concentrated all of the essence and made it even more pungent. There is a sharpness to the lines:
    'i am learning peacefulness
    lying by myself quietly'
    and the
    '...nurses gulls in white caps
    bring me numbness in bright needles'.
    I also like the way the tulips cause pain with their bloody redness.

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  2. You've done a brilliant job with this!

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  3. I guess this is how we read most things, remembering the significant parts that reveal the writers thoughts more, like reading between the lines or in fact reading the words that count (or paint a more vivid picture of the scene in our minds). I quite like what you have done with the poem.

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  4. Wow, this is wonderful. I had not realized until I read the Plath poem that YOUR poem was an erasure poem. I actually like yours better than hers. This must have taken you a long time to compose. A gem!

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    1. Thank you Mary. Yes it took all afternoon to write this one.

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  5. Those blood red tulips make quite a contrast with the bone white of the walls.

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  6. Very cool. I especially like the nurses, gulls in their white caps. I enjoyed seeing what you took from the long poem.

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  7. This is too, too fabulous! If I had not read the Plath poem, I never would have guessed.... you put the pieces of lines together masterfully!!

    Donna@ LivingFromHappiness

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  8. sad yet an enjoyable write.

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  9. Well conceived from her work.
    ZQ

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  10. Reading both poems, it felt like yours had evaporated to essence, all the chill remaining. Really enjoyed this.

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  11. You did well here. Plath is a rather melancholic, isn't she?

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  12. you did well working Slyvia's poem into your very own

    much love...

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